“An unlikely, but intense, mix of Inuit throat singing and laptopery… Tagaq’s intense, immersive sonic poetry emerged as something peculiarly sui generis, not Inuit music nor purely experimental music as such, but rather a fertile, floating complexity typical of our modern audio culture… building upon the fluid eclecticism of Auk, Tagaq’s live performances revel in the spirit of collaboration… this is passionate music, both supple and sensuous…” (Stephen Graham, The Journal Of Music)