1. Khafa (Up In Arms) Kiran Ahluwalia 3:47
  2. Saat (Seven) Kiran Ahluwalia 5:55
  3. Kuch Aur (Something Else) Kiran Ahluwalia 5:18
  4. Mustt Mustt (Extended) Kiran Ahluwalia 8:48
  5. Rabba Ru Kiran Ahluwalia 5:33
  6. Raqba Kiran Ahluwalia 5:29
  7. Yaar Naal Kiran Ahluwalia 4:59

Kiran Ahluwalia is a modern exponent of the great vocal traditions of India and Pakistan which she honors intensely yet departs from in masterful, personal ways. Her original compositions embody the essence of Indian music while embracing influences from Mali and Western blues, rock, R & B and nuances of jazz. With her 5-piece group of electric guitar, accordion, organ, tabla and drum kit, Ahluwalia creates boundary-breaking songs that invite us to explore the human condition, transcending the self by losing ourselves in a trance of groove and melody.

Born in India, raised in Canada and currently living in New York City – Ahluwalia has long been on a path to master the art of singing and composing. “When I was growing up in India”, she recalls, “there were concerts that people from all over would crowd into. These concerts featured a repertoire, language and content that was both demanding and beyond the experience of a child. I was, however, entranced by the sound and feel of the music, even from an early age.” My father would play tapes of Indian music for me and we would also listen to Bollywood on the radio”, Kiran recalls. “So when a song came on that I wanted to learn, my mother would quickly write down the lyrics for me and I would sing along to learn the melody”.

From the time she was seven, Kiran immersed herself in Indian music. When the family immigrated to Canada she continued her musical training alongside her regular school. After graduating from the University of Toronto, she returned to India where she spent years of intense deep study in music. Back in Canada in the late 90s she followed more mundane pursuits – she got an MBA in Finance and started working as a Trader. And there it might have ended if Kiran had not had recurring visions of being on her deathbed not having lived out her passion. So she left the world of business and threw herself totally into a life devoted to the making of her own music.

Her discography now seven albums deep is one of global music’s most interesting adventures and have featured collaborations with legendary Malian group Tinariwen, Celtic fiddler Natalie MacMaster and fado masters from Portugal. Kiran’s own band is directed by Rez Abbasi whose accolades include being in the Top 10 guitarists on Downbeats Critics Poll. Her last six albums have garnered her two JUNO (Canadian Grammy) Awards, two Canadian Folk Awards, the UK’s Songlines Award and peak rankings on the European World Music charts.

Her new album, 7 Billion to be released May 2018 is a melding of blues, R&B, rock, jazz with Indian vocals. In Kiran’s words, “When you take different styles and merge them together and you don’t want a simple cut and paste then you’re really developing a new hybrid genre. There are blueprints to help you. For me it’s important to blur the musical boundaries between my Indian background, influences from Western sounds and the things I love from West Africa namely Mali. It’s incredibly invigorating when I feel a connection in expressions from different cultures and then figure out ways to connect them seamlessly in my music. Those moments of discovery are nothing short of sublime. It’s really the essence of everything for me.”

Writing both words and music, Kiran’s songs speak of: fighting civil wars within ourselves, realizing female desire by throwing away shame, untying knots that bind us to stale embraces, seducing a shy lover, of not having learned how to live, and about rage against the middlemen and institutionalization of religion. The new album also features her composition of a 1990s Pakistani Urdu feminist poem – We Sinful Women.

Saat (seven) – the title song of 7 Billion explores aspects of cultural intolerance – the loss of ‘brotherhood’ in mankind. Says Kiran, “It is a theme close to my personal experience. My story is that of an immigrant born in India and raised in Canada. As an immigrant child the hardships we faced were touted as temporary – the effects were permanent. On the one hand, I developed a wonderful double culture – two sets of wardrobe and multiple languages to think in. On the other, I developed conflicting etiquettes and ways of doing things that were neither ‘fully’ Indian nor ‘fully’ Canadian. The earth now holds seven billion people; for me this means there are seven billion unique ways of interpreting things. Yet wherever we live, the majority’s way of doing things becomes the norm; and whatever is different and foreign can be easily mistrusted. The consequence in a large immigrant based population such as ours is cultural intolerance and difficulty in embracing newness.

Her ease of manner on stage makes her a unique and inspiring performer whose legion of fans continues to grow with every captivating performance. Kiran has toured regularly in North America, Europe and has performed at desert festivals in Mali, Morocco and India. Her music has garnered glowing praise from critics around the world. “Ahluwalia is busy honing a transnational sound as fresh as tomorrow” (Seattle Times) and “Hers is a voice destined to enchant more than one generation” (fROOTS, UK). Her compositions and arrangements are a reflection of an ongoing quest to create timeless music in a modern and global context that looks to the future while still maintaining a vital line to its storied past.



2012 JUNO award for Best World Music album of the Year 2012 (for the CD Aam Zameen)
2011 winner World Solo Artist of the Year at the 2011 Canadian Folk Music Awards (for the CD Aam Zameen)
2011 Songlines Top of the World Album (for the CD Aam Zameen)
2009 Songlines/WOMAD Best Newcomer of the Year Award, presented at WOMEX in Copenhagen, Denmark (for the CD Wanderlust)
2008 Sikh Cenntennial Foundation Award for Excellence in Music
2007 JUNO nomination Best World Music Album (for the CD Wanderlust)
2006 Canadian Indie Awards nomination, World Music Album of the Year (for the CD Wanderlust)
2005 Touring Artist of the Year, Canadian Arts Presenter Association
2005 Genie nomination – music for the documentary film Continuous Journey
2004 JUNO Best World Music Album (for the CD Beyond Boundaries)
2002 JUNO nomination Best World Music Album (for the CD Kashish-Attraction)


Previous shows include: Festival Musique du bout du Monde (Canada), Festival des Traditions du Monde (Canada), National Palace of Culture (Bulgaria), Gaia Live (Italy), Auditorium del Centro Culturale Candiani (Italy), Drom, New York (USA), Asia Society, New York (USA), Mayne Stage, Chicago (USA), The Mint, Los Angeles (USA), Yoshi’s, San Francisco (USA), Mokka Festival (Switzerland), Telemark Festival (Norway), London Jazz Festival (UK), Nuremburg Villa Leon (Germany), Akku Cultural House (Austria), Vienna Jazz Festival – Salaam Orient (Austria), Café Mokka (Switzerland), WOMEX (Denmark), Sfinks Festival (Belgium), Xong Festival (Austria), Paleo Festival (Switzerland), Augsburg Festival (Germany), Zaaika Festival (Canada), Caravan World Rhythms (Canada), MusicFest (Canada), Kirkland Performance Centre (USA), Charlotte Street Arts Centre (USA), Palais Montcalm (Canada), L’Europeen, Paris (France), Burgerweeshuis (Netherlands), Zuiderpershuis (Belgium), Luxor Live (Netherlands), Theaters Tilburg (Netherlands), Poppodium Romein (Netherlands), Noorderkerk (Netherlands), Podium Mozaïek (Netherlands), Utrecht (Netherlands), Colours Festival (Czech Republic), Small World Music Festival (Canada), Mission Folk Festival (Canada), Vancouver Folk Festival (Canada), Surrey Fusion Fest (Canada), Sunfest (Canada), Lumenteau Festival (Canada), Centre for the Performing Arts (Canada), Women of the World (Canada), Babel Med (France), Chicago World Music Festival (USA), Grand Performances (USA), Guelph Jazz Festival (Canada), Salmon Arm Roots & Blues Festival (Canada), Ottawa Folk Festival (Canada), Winnipeg Folk Festival (Canada), Sasktel Jazz Festival (Canada), Small World Music Festival (Canada), APAP (USA).



“Her crystal clear voice arched superbly above rhythms that coursed through the audience… an evening of fascinating, newly revealed music.” (Los Angeles Times)

“She has a voice destined to enchant more than one generation.” (fRoots)

“Ahluwalia’s voice is caressing and seductive and her arrangements are magnificent.” (Songlines)

“Austerely lovely.” (Washington Post)

“A powerful woman who has a depth of character in her wonderfully pliable, expressive voice.” (The Observer)

“The Indo-Canadian singer’s lovely latest [is] a hypnotic swirl of biting chords and cursive melodies.” (Entertainment Weekly)

“If you listen to one new release this week, make it: Aam Zameem, the latest album from Kiran Ahluwalia…: (The Washington Post)

“A lovely and mesmerizing album” (The Washington Post)

“Her boldest, richest release to date.” (The Boston Globe)

“Ahluwalia’s richly expressive voice knows no musical boundaries… she traverses global music styles with an elegant emotiveness.” (UTNE Reader)

“… one of 2011’s best records… this truly breakthrough album will have you peeling back layers every time you listen…” (The Huffington Post)

“…Ahluwalia is assuredly the star of the show. Her voice is a real treasure: it has the measured quality that comes with fine training, but a very natural warmth, too..” (About.com)

“Deliciously funky… We like it, a lot.” (Time Out New York)

“Ahluwalia makes it work because she and her fellow musicians – not just members of Tinariwen but also Terakaft – seek genuine points of contact. Their connection comes not just in similar drum sounds, or a proclivity for bent vocal notes, but in seeking the real emotional center of these sounds, the sense of suffering, persistence and overcoming that pervades many kinds of traditional music.” (Blurt)

“An enchanting fusion of modern Indian song and Malian desert blues.” (KEXP 90.3FM, Seattle)

“Some of the most incredible world music that you’re likely to hear this year.” (Campus Circle)

“Gorgeous” (Afropop Worldwide)

“Potent and deeply satisfying… the gems stack up on Aam Zameen… [Ahluwalia is a] powerhouse on the world music scene.” (World Music Central)

“Kiran Ahluwalia is a unique and inspiring performer and composer, whose legion of fans continues to grow with every captivating performance.” (World Music Central)

“Kiran is a true innovator who looks beyond her own heritage to create a musical world where geographic boundaries no longer apply.” (World Music Network)

“A heady hypnotic mix of Indian rhythms and desert blues.” (The Toronto Sun)

“A fascinating cultural fusion that surpasses all expectations.” (ffwd)

“‘Mustt Mustt’ will surely become a world music classic.” (No Depression)

“A noteworthy release from start to finish… I highly recommend it.” (About.com)

“Ms. Ahluwalia is an example of a pioneering artist of the first order.” (Afropop Worldwide)

“One of today’s most popular exponents of creating hybrid musical styles.” (Calgary Herald)

“The seemingly effortless melding of these two transcendent styles elevates both to a higher plane.” (Globe & Mail)

“A rising international star.” (Village Voice)








Mustt Mustt


Tamikrest & Kiran Ahluwalia


Yaar Naal


Soch Ka




Jaane Na




Teray Darsan





Kiran Ahluwalia

world music fusion, Indian classical music, traditional ghazals, Punjabi folk songs